无依之地

风格提示词

灰紫色纸 #7d7079 上的软色粉画，纸的齿纹处处透出来，成细密颗粒（亮度 ±8%）。天空揉开抹平，只有几条细长的横向云带。质感集中在地面：干草赭色（金黄往纸的灰色压暗），上面铺满直立的细草笔，每笔宽约为画面宽度的 1/400、长约 1/40，明度起伏 ±15%，前景密，往地平线渐稀。物体用柔和的斜向排笔，边缘软而碎。按用途分色：地平线金黄 #f6cf7a，下层天空玫瑰 #c9738a，高空、云带和远处陆地用紫 #4b3f78，暗部用暮蓝 #2b2d5c。地平线长，在画面中线附近，下面是原野或水面；主体和身边的东西中等大小，放在下半幅。天色从金黄转玫瑰再转紫，越暗暖灯越亮。一个缓慢横移带轻推的镜头。避免：油画厚涂感、锐利数码边、光秃平滑的地面。

English:

Soft pastel on grey-violet toned paper #7d7079, tooth showing everywhere as fine speckle (±8% brightness). Sky blended smooth, a few long thin cloud bands. The land carries the texture: dry-grass ochre (gold dulled toward the paper grey) under fine upright grass strokes (1/400 of frame width wide, 1/40 long, ±15% value), dense in the foreground, thinning toward the horizon. Objects get soft diagonal hatching, broken edges. Palette by role: gold #f6cf7a at the horizon, rose #c9738a in the lower sky, violet #4b3f78 for high sky, clouds and far land, dusk blue #2b2d5c for shadows. A long horizon near mid-frame over open land or water; the subject mid-sized in the lower half. The sky drifts gold to rose to violet; lamps brighten as it darkens. One slow pan with a light push-in. Avoid: oily impasto, sharp edges, bare smooth ground.

补充

技法关键词

有色纸上的软色粉,魔幻时刻的黄昏配色,纸面颗粒肌理

导演说明

Clawd 扮弗恩，不拿道具，只有走、坐、看三个动作。整段一刀不剪：走路慢慢停在毯子上，坐下，再抬眼望向地平线；天色暗下来，露营灯和房车门口的光越来越暖。

成片里的分镜

1. 一镜到底的全景：Clawd 从一辆侧门敞开的白色旧房车前走过，镜头跟着它横移并轻轻推近，平原和远处的孤丘缓缓滑过；它走到露营灯旁的条纹毯子上坐下，望向地平线，天色从金黄变成紫色。（2.5s）

参考出处

Chloé Zhao, Nomadland (2020),Joshua James Richards (cinematography)