寄生虫

风格提示词

矢量建筑剖面轴测图，用低角度二等角视图：剖切面沿接近水平的 7° 轴正对观众，进深沿 42° 轴、按一半缩短；屋顶和近侧墙剖掉，露出房间。剖切穿过主体所在之处（房子、塔、船、山坡）。切面填涂黑：深色混凝土带骨料，土层画 45° 斜线夹小石块。任何缩放都是 1 像素深灰线。默认白天、淡色天空：混凝土 #b3ada2、橡木 #d6b58a、炭灰 #3e4146、松绿 #3f6b3e，白墙、绿草坪、半透明蓝水。房间配家具和简洁的小比例人。夜景或其他暗光只是变体：叠乘三到四成月光蓝，亮灯的房间涂回暖色。镜头沿剖面慢慢升降，框住两三个房间，跟主体走一条不断的路线，最后停在占画面约八成的整张图上。避免：30° 等轴测、粗卡通描边、楼层间切镜头、图太小。

English:

Vector section axonometric, low dimetric view: the cut face lies along the near-flat 7° axis, facing us, depth along the 42° axis at half scale; roof and near walls cut away to show the rooms. Cut through the subject's place (a house, a tower, a ship, a hillside). Poché on cut faces: dark concrete with aggregate, earth hatched at 45° with stones. 1 px dark-grey lines at every zoom. Default daylight under a pale sky: concrete #b3ada2, oak #d6b58a, charcoal #3e4146, pine #3f6b3e, white walls, green lawn, translucent blue water. Furnished rooms, simple scale figures. Night or other low light is a variation: multiply 30–40% moonlit blue, lit rooms painted back warm. Crane slowly framing 2–3 rooms along one continuous path; end on the whole drawing at ~80% of the frame. Avoid: 30° isometric, thick outlines, cuts between levels, a small drawing.

补充

技法关键词

二等角剖面轴测,建筑剖切填充与比例人,雨夜调色

导演说明

Clawd 扮基宇，山水石一路不离手：在草坪上举过头顶，暴雨夜躲在茶几边，再一路顶着它下山。全段只切两刀；每个镜头里镜头都沿剖面上下走，让富人和穷人在同一个画面里，12 拍最后停在整张剖面上。

成片里的分镜

1. 白天的玻璃豪宅剖面和条纹草坪上的派对：Clawd 站在花园门口，双手把山水石举过头顶；镜头慢慢推近。（0.8s）
2. 切到暴雨夜：朴家客厅，Clawd 躲在茶几边；镜头像升降机一样往下，穿过楼板和地下室，落到掩体，灯在按摩斯码闪。（1.3s）
3. 切到雨中一路往下的长镜头：镜头跟着头顶山水石的 Clawd 从大门走下一段段长台阶，穿过马路底下的隧道，进到低处的街巷和正在被淹的半地下室，再升起拉开成整张剖面，豪宅在顶上，淹水在最底下。（2.9s）

参考出处

Bong Joon-ho, Parasite (2019),Hong Kyung-pyo (cinematography),Lee Ha-jun (production design),Parasite (2019) poster,Architectural section axonometrics