末代皇帝

风格提示词

绢本工笔重彩（清代宫廷画法）。由远到近画，每个形：平涂底色 → 分染（沿下缘和被遮处加深）→ 均匀铁线描（深褐，线宽约画面 1/900）→ 提金、提白；最后全画面叠三成浓度的暖赭罩染，线仍清楚。矿物色：朱砂 #C23A22、石青 #2C5A9A、石绿 #3A8A6A、藤黄 #E8B830、泥金 #CAA04A，被罩染压稳；地面和天空是中等明度的暖赭绢色，不要近白，不画饱和蓝天和橙色落日，时段变化只靠整体冷暖。不画投影和眩光。水用细线水纹。建筑用界画，瓦片一片片画出；有人群时人人不同，单人也行。绢纹淡（±3%），褐色暗角。一点透视、左右对称，大人物在前，身后深远规整。缓推。对标清代宫廷长卷，如《康熙南巡图》。避免：复制粘贴人物；不分染的平涂；写意水墨；海报式饱和色。

English:

Chinese gongbi zhongcai (fine-line, heavy-colour court painting) on aged silk. Far to near, each form: flat base, a wash darkening its lower, overlapped edges, an even iron-wire outline (dark brown, ~1/900 frame width), gold and white lifts. Last, a 30% warm ochre glaze over everything, lines still clear. Minerals: cinnabar #C23A22, azurite #2C5A9A, malachite #3A8A6A, gamboge #E8B830, gold #CAA04A, muted by the glaze; ground and sky mid-value warm silk ochre, never near-white, saturated blue or orange; time of day shows only as overall warmth. No cast shadows or glare. Fine-line water ripples. Ruled-line architecture, every tile drawn; crowds all differ; a lone figure works. Faint silk weave (±3%), brown vignette. Symmetrical one-point composition: a large figure before a deep, ordered space. Slow pushes. Reference: Qing court scrolls, e.g. Kangxi's Southern Inspection Tour. Avoid: copy-pasted figures; unwashed flat fills; loose ink wash; poster saturation.

补充

技法关键词

工笔重彩,界画,清代宫廷画卷,Storaro 的色彩

导演说明

Clawd 扮小溥仪：红缨朝冠、朝珠、马蹄袖。帘幕分开，Clawd 踩着节拍走出来；硬切到百官叩首的波浪，最后几拍落在海报式的全景上。场景以 1.1 倍速播放。

成片里的分镜

1. 绣着团龙的黄色绸帘占满画面，帘子分开，戴红缨朝冠的 Clawd 走上丹陛；镜头微微后拉。（1s）
2. 硬切到低机位横移，扫过跪着的百官，一排排穿补服的官员波浪般叩首。（0.6s）
3. 硬切到海报构图并慢慢拉宽：Clawd 大大地站在丹陛上，身后是跪满百官的广场和金色重檐，前景是蝈蝈罐。（0.9s）

参考出处

Bernardo Bertolucci, The Last Emperor (1987),Vittorio Storaro (cinematography),The Last Emperor (1987) poster,Kangxi Southern Inspection Tour scrolls,Qianlong's Grand Review