炎热的夜晚

风格提示词

三色专色 Risograph 印刷：橙红 #EC5032 是主场（约占画面六成，带竖向流淌痕），深蓝 #162C76 给剪影和阴影，荧光粉 #FF48B0 只给轮廓光和光晕，印在暖白纸 #F7F2E7 上。每色是各自网角的半调，点径约画面宽的 1/300，版间错位二到四像素；有墨粒、针孔，逐帧轻微抖动。蓝剪影底下挖掉橙色，印成纯蓝；只有最暗处两色叠成近黑。光就是没有墨：光束、灯和被照亮的地面露出纸白，外圈一道粉。人物是带粉色边缘光的蓝剪影，肤色用三到六成橙色网点加一级蓝暗部。时间偏冷时仍保留红场，只让蓝色升到天空顶部。镜头：手持跟在提着光源的人身后，一个反打近景，一次缓推。避免：蓝色占满画面、平滑渐变、第四种墨、套印太准。

English:

Three-ink Risograph: orange-red #EC5032 as the dominant field (about 60%, with drip streaks), deep blue #162C76 for silhouettes and shadows, fluorescent pink #FF48B0 only for rims and halos, on warm paper #F7F2E7. Each ink is halftoned at its own angle, dots 1/300 of frame width, plates misregistered 2–4 px; grain, pinholes, slight boil. Knock orange out under blue silhouettes so they print pure blue; only the darkest accents overprint to near-black. Light is the absence of ink: beams, lamps and lit ground show bare paper, ringed in pink. Figures: blue silhouettes, pink rims; skin is 30–60% orange with a blue shadow step. At cooler times keep the red field; blue rises only into the top of the sky. Camera: handheld behind someone carrying a light, a reverse close-up, a push. Avoid: blue-dominated frames, smooth gradients, a fourth ink, clean registration.

补充

技法关键词

Risograph 叠印,1967 海报橙红,Haskell Wexler 夜景,剪影式调度

导演说明

Clawd 扮维吉尔·蒂布斯：白衬衫领尖、深色窄领带、袖口，脚边一只手提箱。上一部熄灭的烛光把夜带进来。三个镜头堆出对峙：手电找到它、警长停下嚼口香糖、它挺直腰板，像在说「They call me MISTER Tibbs!」

成片里的分镜

1. 黑暗中的手持手电主观镜头：副警长的光束扫过车站站台，找到手提箱旁的 Clawd（蒂布斯）；它抬头睁大眼，其他几束手电随即亮起。（0.8s）
2. 反打警长吉莱斯皮近景：大檐帽、飞行员墨镜，嚼着口香糖，然后停住；缓慢推近。（0.5s）
3. 对峙中全景：Clawd 站在副警长和警长之间，几束手电光交叉打在它身上，身后是蓝色警车和斯巴达镇水塔；它挺直身子、端平肩膀，镜头推近。（1.2s）

参考出处

Norman Jewison, 1967,Haskell Wexler (cinematography),1967 original poster,Tom Haugomat