日月精忠

风格提示词

仿小汉斯·霍尔拜因的北方文艺复兴油画肖像。一层层画：带色底、顺明暗的笔触、柔和罩染、最后细笔；成品光滑，背景和布料隐约见笔触。每种材质各有画法：毛皮一根根画，天鹅绒褶子亮脊锐利，金属每件两个高光点，呢料和皮革画出柔和绒面。任何主体都画成穿自己衣服的正式半身像；它的场景从窗口露出，或由手里一件东西交代。色板：深绿帘幕 #1F4A26，黑 #141113、天鹅绒红 #6E0C15、金 #B0801E、毛皮棕 #3E2818；皮肤暖色、体积完整。柔光从左上来。招牌镜头：衬着绿帘的半身像；其次是材质特写，再慢慢拉远到暖色光池照亮的暗房间。收尾叠暖色光油和轻龟裂。避免：平涂、数码硬边、均匀亮光、没有体积的脸。

English:

Oil portrait after Hans Holbein the Younger. Paint in layers: a toned underlayer, directional strokes following light and shadow, soft glazes, fine detail last; smooth finish, brushwork faint in background and fabric. Render each material: fur hair by hair, velvet folds with sharp light ridges, metal with two highlights per piece, wool and leather with soft nap. Any subject becomes a formal half-length sitter in its own clothes; its setting shows through a window or in an object it holds. Palette: deep green curtain #1F4A26, black #141113, velvet red #6E0C15, gold #B0801E, fur brown #3E2818; warm, fully modelled skin. Soft light from upper left. Signature shot: the portrait against the curtain; then material close-ups, a slow pull back into a dark room lit by warm pools. Warm varnish, light craquelure. Avoid: flat fills, hard digital edges, even light, unmodelled faces.

补充

技法关键词

古典油画罩染,霍尔拜因《托马斯·莫尔爵士像》（1527）,烛光都铎室内

导演说明

Clawd 扮托马斯·莫尔：都铎扁帽、黑袍毛领、红天鹅绒袖子、SS 金链，手拿封了红蜡的信。接在转圈的草坡之后，这里是静：从大特写切到肖像只有一刀，之后一路拉远；蜡烛将熄，暗下来的画面接上下一部的夜。

成片里的分镜

1. 脸和 SS 金链、都铎玫瑰吊坠的大特写：Clawd（莫尔）先看向一侧，再把目光转向镜头，眨一下眼；缓慢推近。（0.9s）
2. 霍尔拜因肖像构图（都铎扁帽、毛领、红天鹅绒袖子、绿色锦缎帘幕、手里的信）：庄重地点一下头，目光落到信上，然后缓慢拉远，露出烛光下的都铎房间；烛火将熄，画面暗下去。（1.6s）

参考出处

Fred Zinnemann, 1966,Hans Holbein the Younger, Sir Thomas More (1527),Holbein, The Ambassadors (1533),Ted Moore (cinematography)